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dc.contributor.supervisor Roy, Elizabeth (School of Art) en_US
dc.contributor.author Boyer, Katherine
dc.date.accessioned 2018-09-10T15:48:34Z
dc.date.available 2018-09-10T15:48:34Z
dc.date.issued 2018 en_US
dc.date.submitted 2018-07-18T15:06:16Z en
dc.identifier.citation MLA en_US
dc.identifier.uri http://hdl.handle.net/1993/33270
dc.description.abstract The artist’s own, female, Métis body reclaims space, history, and family stories that focus on a direct matriarchal line of five women. By embodying a creative interpretation of their physical labour, through slow conscious work, or by considering the body as a form of measurement and an open channel of communication, their life stories become a point of expressing and repairing lost homelands. The artist takes process-heavy and repetitive techniques, both as time-based approaches, and translates them into a physical experience of honouring the lives of those women. en_US
dc.subject Beadwork en_US
dc.subject Métis en_US
dc.subject Matrilineal en_US
dc.subject Labour en_US
dc.subject Memory en_US
dc.subject Material Culture en_US
dc.subject Home en_US
dc.title Labour is the body; time is the bridge en_US
dc.degree.discipline School of Art en_US
dc.contributor.examiningcommittee McCafferty, Daniel (School of Art), Carriou, Warren (English) en_US
dc.degree.level Master of Fine Art (M.F.A.) en_US
dc.description.note October 2018 en_US


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