dc.contributor.author	Boyer, Katherine
dc.contributor.examiningcommittee	McCafferty, Daniel (School of Art), Carriou, Warren (English)	en_US
dc.contributor.supervisor	Roy, Elizabeth (School of Art)	en_US
dc.date.accessioned	2018-09-10T15:48:34Z
dc.date.available	2018-09-10T15:48:34Z
dc.date.issued	2018	en_US
dc.date.submitted	2018-07-18T15:06:16Z	en
dc.degree.discipline	School of Art	en_US
dc.degree.level	Master of Fine Art (M.F.A.)	en_US
dc.description.abstract	The artist’s own, female, Métis body reclaims space, history, and family stories that focus on a direct matriarchal line of five women. By embodying a creative interpretation of their physical labour, through slow conscious work, or by considering the body as a form of measurement and an open channel of communication, their life stories become a point of expressing and repairing lost homelands. The artist takes process-heavy and repetitive techniques, both as time-based approaches, and translates them into a physical experience of honouring the lives of those women.	en_US
dc.description.note	October 2018	en_US
dc.identifier.citation	MLA	en_US
dc.identifier.uri	http://hdl.handle.net/1993/33270
dc.language.iso	eng	en_US
dc.rights	open access	en_US
dc.subject	Beadwork	en_US
dc.subject	Métis	en_US
dc.subject	Matrilineal	en_US
dc.subject	Labour	en_US
dc.subject	Memory	en_US
dc.subject	Material Culture	en_US
dc.subject	Home	en_US
dc.title	Labour is the body; time is the bridge	en_US
dc.type	master thesis	en_US
local.subject.manitoba	yes	en_US

Labour is the body; time is the bridge