Show simple item record

dc.contributor.supervisorNesmith, Thomas (History)en_US
dc.contributor.authorAcland, Erin
dc.date.accessioned2016-09-13T21:47:48Z
dc.date.available2016-09-13T21:47:48Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/1993/31723
dc.description.abstractAnimation simultaneously functions as commercial asset, fine art form, mode of communication, and shaper of culture, and so its archives is worth preserving. A precursory analysis of animation archives in Canada reveals that they are few. Archivists in Canada have faced constant challenges in their attempts to archive Canadian film. Insufficient resources, evolving technology, and splintered responsibility have left much of Canada's film record fragmented or lost, along with the knowledge it conveys.en_US
dc.language.isoengen_US
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectHistoryen_US
dc.subjectAnimationen_US
dc.subjectCondie, Richarden_US
dc.subjectArchivesen_US
dc.titleAnimation matters: the Richard Condie fonds and archiving animationen_US
dc.typeinfo:eu-repo/semantics/masterThesis
dc.typemaster thesisen_US
dc.degree.disciplineHistoryen_US
dc.contributor.examiningcommitteeBak, Gregory (History) Churchill, David (History) Burke, Andrew (University of Winnipeg)en_US
dc.degree.levelMaster of Arts (M.A.)en_US
dc.description.noteOctober 2016en_US
local.subject.manitobayesen_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record