‘Far asunder there are those to whom my name is music’: Nineteenth-century Hudson’s Bay Company families in the British imperial world

dc.contributor.authorBarclay, Krista
dc.contributor.examiningcommitteeBrownlie, Jarvis (History)en_US
dc.contributor.examiningcommitteeMiller, Cary (Native Studies)en_US
dc.contributor.examiningcommitteeCarter, Sarah (University of Alberta)en_US
dc.contributor.examiningcommitteeEyford, Ryan (History)en_US
dc.contributor.supervisorPerry, Adele (History)en_US
dc.date.accessioned2020-01-13T20:17:47Z
dc.date.available2020-01-13T20:17:47Z
dc.date.issued2019en_US
dc.date.submitted2020-01-01T23:05:46Zen
dc.degree.disciplineHistoryen_US
dc.degree.levelDoctor of Philosophy (Ph.D.)en_US
dc.description.abstractThe Hudson’s Bay Company’s (HBC) establishment of trading posts throughout Rupert’s Land, the vast territory it claimed in British North America, provided the context in which marriages ‘in the custom of the country’ between its employees and Indigenous women became a pillar of fur trade social relations. In the wake of the personnel surplus brought on by the HBC’s merger with the North West Company (NWC) in 1821, employees and their Indigenous families began to settle in clusters outside Rupert’s Land. This dissertation examines the understudied experiences of HBC families that settled in Britain or the burgeoning agricultural communities of present-day Ontario and Quebec in the middle decades of the nineteenth century. The racial and gendered terrain of their new home communities in Canada and Britain were complex ones for Indigenous women and their children to navigate. They were connected to vast imperial networks of power and patronage and occupied the upper echelons of the small towns they settled in; yet, their presence raised potentially unsettling questions about race, gender, and citizenship. They played roles in both the reification and subversion of racial and gendered imperial hierarchies, and thus came to occupy unexpected and even contradictory positions in family and local historical narratives. The dissertation highlights the extent to which women and children were vital to the creation and maintenance of networks kith and kin that linked the geographically (and often historiographically) far-flung yet mutually constituted imperial contexts of Rupert’s Land, Canada, and Britain. Looking at these families as British imperial subjects highlights the extent to which these diverse settings operated as part of a single, and decidedly imperial, tapestry of social and economic opportunity for HBC families. The families examined in this study lived their lives across a variety of borders, creating webs of connection that extended across the British Empire. Comparing the experiences of fur trade families in different social and geographic contexts reveals how imperial identities were constructed and reconstituted and how everyday people on both sides of the Atlantic defined and constructed race and family in the context of empire.en_US
dc.description.noteFebruary 2020en_US
dc.identifier.citation“From Rupert’s Land to Canada West: Hudson’s Bay Company Families and Representations of Indigeneity in Small-Town Ontario, 1840-1980.” Journal of the Canadian Historical Association, 26:1 (2016), 67-97.en_US
dc.identifier.urihttp://hdl.handle.net/1993/34499
dc.language.isoengen_US
dc.rightsopen accessen_US
dc.subjectCanadian Historyen_US
dc.subjectFur Tradeen_US
dc.subjectCanada and the British Empireen_US
dc.subjectIndigenousen_US
dc.subjectFamily Historyen_US
dc.subjectMuseumsen_US
dc.subjectScotlanden_US
dc.title‘Far asunder there are those to whom my name is music’: Nineteenth-century Hudson’s Bay Company families in the British imperial worlden_US
dc.typedoctoral thesisen_US
local.subject.manitobayesen_US
Files
Original bundle
Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
Barclay_Krista.pdf
Size:
34.61 MB
Format:
Adobe Portable Document Format
Description:
License bundle
Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
license.txt
Size:
2.2 KB
Format:
Item-specific license agreed to upon submission
Description: