I come from a long line of machines
| dc.contributor.author | Donen, Mallory | |
| dc.contributor.examiningcommittee | Bridges, Leigh (School of Art) Bugslag, James (School of Art) Black, Joanna (Faculty of Education) | en_US |
| dc.contributor.supervisor | Kelly, Kevin (School of Art) | en_US |
| dc.date.accessioned | 2017-06-22T19:47:42Z | |
| dc.date.available | 2017-06-22T19:47:42Z | |
| dc.date.issued | 2017 | |
| dc.degree.discipline | School of Art | en_US |
| dc.degree.level | Master of Fine Art (M.F.A.) | en_US |
| dc.description.abstract | My research investigates the repetitive processes of embroidery, finger knitting, digital image-making using Photoshop, and how they are similar in their use of mechanical systems. By engaging in a collaborative process with different machines and tools, I attempt to share control of artistic production. I address notions of artistic authorship, chaos, order, control, infinity, and mechanical repetitive systems. I embrace systematic processes in order to create art that is similar to that of a programmed machine. By doing so I am able to gain perspective into the ways in which machines and humans are alike. | en_US |
| dc.description.note | October 2017 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1993/32272 | |
| dc.language.iso | eng | en_US |
| dc.rights | open access | en_US |
| dc.subject | Visual arts, Fine arts, Craft, Domestic arts, Machines, Repetitive systems, Mechanical systems, Systematic processes, Computers, Computing process, Process art, Instructional art processes, Digital art, Digital image-making, Photoshop, Embroidery, Stitching, Pixels, Finger Knitting, Knitting Machine, Knitting, Video art, Sound art, Repetition, Rhizome, Noncomposition, Artistic authorship, Chaos, Order, Control, Pattern, Textiles, Fibre art , Ouroboros, Infinity | en_US |
| dc.title | I come from a long line of machines | en_US |
| dc.type | master thesis | en_US |
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