On the human canvas: a novel ontology of tattoos

dc.contributor.authorMinarik, Julia
dc.contributor.examiningcommitteeMurray, Adam (Philosophy)en_US
dc.contributor.examiningcommitteeMahrenholz, Simone (Philosophy)en_US
dc.contributor.supervisorMatheson, Carl (Philosophy)en_US
dc.date.accessioned2021-08-18T19:58:33Z
dc.date.available2021-08-18T19:58:33Z
dc.date.copyright2021-08-18
dc.date.issued2021-08-10en_US
dc.date.submitted2021-08-10T16:20:09Zen_US
dc.date.submitted2021-08-18T19:55:46Zen_US
dc.degree.disciplinePhilosophyen_US
dc.degree.levelMaster of Arts (M.A.)en_US
dc.description.abstractSome tattoos are artworks. This paper claims that art-tattoos have an interesting ontological feature: their artistic properties are partially determined by the people they are tattooed on. In other words, tattoos are artistically contextualized by their recipients. I further suggest that this contextualization is ongoing: that the artistic properties of a tattoo aesthetically change over time as the tattoo recipient changes. I present an ontology of tattoos that focuses on this feature of tattoos. The argument in this paper notably rests on an inference from aesthetic intuitions and art-historical facts about tattoos to claims about their ontological features.en_US
dc.description.noteOctober 2021en_US
dc.identifier.urihttp://hdl.handle.net/1993/35812
dc.language.isoengen_US
dc.rightsopen accessen_US
dc.subjectTattoosen_US
dc.subjectPhilosophyen_US
dc.subjectOntologyen_US
dc.subjectAestheticsen_US
dc.titleOn the human canvas: a novel ontology of tattoosen_US
dc.typemaster thesisen_US
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