Ruins: the aesthetics of ambiguity

dc.contributor.authorSanati Nia, Elmira
dc.contributor.examiningcommitteeEaton, Marcella (Landscape Architecture) Stern, Ralph (Architecture)en_US
dc.contributor.supervisorTate, Alan (Landscape Architecture)en_US
dc.date.accessioned2020-03-30T19:52:04Z
dc.date.available2020-03-30T19:52:04Z
dc.date.copyright2020-03-23
dc.date.issued2020-03en_US
dc.date.submitted2020-03-23T20:04:10Zen_US
dc.degree.disciplineLandscape Architectureen_US
dc.degree.levelMaster of Landscape Architecture (M.L.Arch.)en_US
dc.description.abstractTo study the present, one needs to keep in mind that the present is not fixed or inevitable, but it is always in the process of becoming or, as Harrison concludes, “it is active and ripe with potential.” This practicum is an itinerary that takes you through another life, a long journey in which you can understand the mortality, vulnerability, and mutability of the world we live in. You will be asked to push your imagination beyond its power to travel into the past, present, and future or as Yablon argues “to the ends of the earth.” Exploring ruins reminds us of the transient nature of life and that “everything comes to nothing, everything perishes, everything passes.”en_US
dc.description.noteMay 2020en_US
dc.identifier.urihttp://hdl.handle.net/1993/34600
dc.language.isoengen_US
dc.rightsopen accessen_US
dc.subjectLandscape of ruins, Sublime, Landscape and visual arts, Hiraeth, Becoming landscapes, The Anthropocene, Imaginationen_US
dc.titleRuins: the aesthetics of ambiguityen_US
dc.typemaster thesisen_US
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