Die Funktion der Sinne in der filmischen Erinnerung an die neuere deutsche Vergangenheit: Schwochows Novemberkind, Schmids Wintertochter und Petzolds Barbara
| dc.contributor.author | Mehmedovic, Nedzmina | |
| dc.contributor.examiningcommittee | Jaeger, Stephan (German and Slavic Studies) Mahrenholz, Simone (Philosophy) | en_US |
| dc.contributor.supervisor | Dueck, Cheryl (German and Slavic Studies) | en_US |
| dc.date.accessioned | 2014-04-22T16:43:43Z | |
| dc.date.available | 2014-04-22T16:43:43Z | |
| dc.date.issued | 2014-04-22 | |
| dc.degree.discipline | German and Slavic Studies | en_US |
| dc.degree.level | Master of Arts (M.A.) | en_US |
| dc.description.abstract | This thesis analyzes the connection between film and body memory. Christian Schwochow’s Novemberkind (2008), Johannes Schmid's Wintertochter (2011) and Christian Petzold's Barbara (2012) are post-unification films that represent the past through the senses of sight, sound and touch. Communicative memory conveys the past to future generations, and different material objects, such as photographs, carry the past into the future. These films offer different perspectives and generations, as well as different sense memories of the German past. | en_US |
| dc.description.note | May 2014 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1993/23544 | |
| dc.language.iso | deu | en_US |
| dc.rights | open access | en_US |
| dc.subject | Collective memory | en_US |
| dc.subject | body memory | en_US |
| dc.subject | senses | en_US |
| dc.subject | Novemberkind | en_US |
| dc.subject | Wintertochter | en_US |
| dc.subject | Barbara | en_US |
| dc.title | Die Funktion der Sinne in der filmischen Erinnerung an die neuere deutsche Vergangenheit: Schwochows Novemberkind, Schmids Wintertochter und Petzolds Barbara | en_US |
| dc.title.alternative | The function of the senses in the cinematic memory of the recent German past: Schwochow’s Novemberkind, Schmid’s Wintertochter and Petzold’s Barbara | en_US |
| dc.type | master thesis | en_US |