On simony, sodomy and sacrifice in the sculptures on the abbey church of Sainte-Marie at Souillac

dc.contributor.authorKrindle, Caddie Ruth
dc.contributor.examiningcommitteeThomson, Erik (History) Caudano, Anne-Laurence (History, University of Winnipeg) Bugslag, James (School of Art)en_US
dc.contributor.supervisorLabrecque, Claire (History, University of Winnipeg)en_US
dc.date.accessioned2013-07-29T14:28:30Z
dc.date.available2013-07-29T14:28:30Z
dc.date.issued2013-07-29
dc.degree.disciplineHistoryen_US
dc.degree.levelMaster of Arts (M.A.)en_US
dc.description.abstractThe early-twelfth century sculptures now located within the nave of the Benedictine abbey church of Sainte-Marie at Souillac, France, formerly considered to be the fragmentary remains of a Romanesque portal program, are here read iconographically to form a cohesive, fully integrated and meaningful whole. A careful observation of the sculptures, in conjunction with near-contemporaneous artistic and textual comparators, permits a decoding of their symbolism and reveals the existence of highly sophisticated commentary, from the perspective of coenobitic monasticism, on a number of the more contentious political, ecclesiological and theological issues of the day. The program is read to be informed by and to reflect the clash of ideals within the Western Church surrounding aspects of papal reform from the latter half of the eleventh century.en_US
dc.description.noteOctober 2013en_US
dc.identifier.urihttp://hdl.handle.net/1993/21941
dc.language.isoengen_US
dc.rightsopen accessen_US
dc.subjectRomanesqueen_US
dc.subjectIconographyen_US
dc.subjectsculptureen_US
dc.titleOn simony, sodomy and sacrifice in the sculptures on the abbey church of Sainte-Marie at Souillacen_US
dc.typemaster thesisen_US
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