Museums at the seams: How two North Carolina museums are supporting racial literacy, critical education, and civic activism

dc.contributor.authorRussian, Anya
dc.contributor.examiningcommitteeChavis, Charles (George Mason University)en_US
dc.contributor.examiningcommitteeAnyaduba, Chigbo Arthur (Peace and Conflict Studies)en_US
dc.contributor.supervisorSenehi, Jessica
dc.date.accessioned2023-04-13T20:08:15Z
dc.date.available2023-04-13T20:08:15Z
dc.date.copyright2023-04-03
dc.date.issued2023-03-25
dc.date.submitted2023-03-25T23:30:30Zen_US
dc.date.submitted2023-04-03T14:40:32Zen_US
dc.degree.disciplinePeace and Conflict Studiesen_US
dc.degree.levelMaster of Arts (M.A.)en_US
dc.description.abstractSince the 2020 BLM movement, public forums for critical dialogue about racial justice in the United States have multiplied in number and visibility. They have also provoked intense backlash including a wave of unprecedented state laws attempting to restrict the teaching about race and other critical topics in schools. Many American museums have responded by disseminating public history education and engaging their local communities in sustained conversations about critical topics being censored elsewhere. Simultaneously, they are using digital technologies to engage an increasingly virtual public in the wake of the Covid-19 public health crisis. Using participant observation, digital ethnography, and critical discourse analysis, I examine two such museums in North Carolina. I ask how these institutions are tapping local knowledge to make national conversations around race, identity, and social justice more legible to their immediate communities. Drawing on scholarship from critical geography and pedagogy, conflict transformation, and culture, I document the approaches these museums are using to convene intersectional citizen engagement, to frame citizen priorities, and to articulate citizen-agency in their local contexts. I explain how these institutions are reimagining the social purpose of the museum, rethinking critical education, and promoting peace-action networks. This thesis reflects on how official cultural institutions may contribute to positive peacebuilding in racially divided societies and how they may facilitate social reform movements more broadly. I make a case for why museums and societies benefit from these institutions considering their work as part of larger peacebuilding projects. I offer urgent reasons and practical strategies for museums to initiate and further develop critical education initiatives, especially to reach audiences most removed from—and often in need of—counter-knowledge on and off the web. This research asks us to reconsider not only how museums connect with the public but how they can create spaces that purposefully respond to conflicts arising in contemporary multicultural societies. It demonstrates that museums can be important vehicles to convene grassroots, civil society, and top-tier civic resistance against racial and other forms of violence.en_US
dc.description.noteMay 2023en_US
dc.identifier.urihttp://hdl.handle.net/1993/37280
dc.language.isoengen_US
dc.rightsopen accessen_US
dc.subjectconflict transformationen_US
dc.subjectcritical educationen_US
dc.subjectmuseumsen_US
dc.subjectdigital activismen_US
dc.subjectracismen_US
dc.subjectsocial justice movementsen_US
dc.subjectlocal peacebuildingen_US
dc.titleMuseums at the seams: How two North Carolina museums are supporting racial literacy, critical education, and civic activismen_US
dc.typemaster thesisen_US
local.subject.manitobanoen_US
oaire.awardNumber7858489en_US
oaire.awardTitleManitoba Graduate Scholarship (MGS)en_US
project.funder.identifierhttps://doi.org/10.13039/100010318en_US
project.funder.nameUniversity of Manitobaen_US
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