Antigone figures: performativity and rhythm in the graphics of the text, a commentary on texts by Carol Jacobs, Martin Heidegger, and Jacques Derrida

dc.contributor.authorLewis, Melanie
dc.contributor.examiningcommitteeLibin, Mark (English, Film, and Theatre) Marx-Wolf, Heidi (Religion) Markotic, Lorraine (Philosophy, University of Calgary)en
dc.contributor.supervisorMcCance, Dawne (Religion)en
dc.date.accessioned2010-09-28T20:50:56Z
dc.date.available2010-09-28T20:50:56Z
dc.date.issued2010-09-28T20:50:56Z
dc.degree.disciplineReligionen_US
dc.degree.levelDoctor of Philosophy (Ph.D.)en_US
dc.description.abstractThis thesis contributes to critical theoretical interpretation of Sophocles' Antigone. Analyzing texts by Kelly Oliver, Jacques Lacan, and Judith Butler, the thesis demonstrates how the work of these writers re-installs oppositional binarism, the form of thought that undergirds the hierarchical structure of Western metaphysics as exemplified in the dialectical philosophy of G. W. F. Hegel. Focusing on texts by Carol Jacobs, Martin Heidegger, and Jacques Derrida, the thesis analyzes the performative effect of Antigone, as sister figure, in the graphics of these works. Employing a deconstructive and performative critical approach, the thesis explores the theoretical productivity of a "sororal" graphics, that, dispersing and subverting binarism, opens the texts and their interpretation to alterity. The thesis demonstrates how critical reading of the performativity of Antigone as sister figure implicates ethicological discussion on justice in relation to family, genre/gender, classification, and inheritance.en
dc.description.noteFebruary 2011en
dc.format.extent1012549 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/1993/4253
dc.language.isoengen_US
dc.rightsopen accessen_US
dc.subjectantigoneen
dc.subjectDerrida, Jacquesen
dc.subjectJacobs, Carolen
dc.subjectHeidegger, Martinen
dc.subjectmourningen
dc.subjectGlasen
dc.subjectperformativityen
dc.subjectrhythmen
dc.titleAntigone figures: performativity and rhythm in the graphics of the text, a commentary on texts by Carol Jacobs, Martin Heidegger, and Jacques Derridaen
dc.typedoctoral thesisen_US
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