This thesis delves into the pursuit of mental pleasure and the art of avoiding hardship, key principles guiding both my life and art practice. It explores the practicalities of seeking pleasure in art, the significance of minimizing difficulties, and the emergence of a pleasure-focused philosophy. The thesis also discusses the rationale for choosing clay as the medium for this artistic exploration, supported by historical and contemporary references. The culmination of these elements is represented in my thesis exhibition, which is a manifestation of this approach.