hauntings draws on personal archives to explore incidents of haunting in relation to print media, memory, and time. Through looping gestures of collage, printing, fragmenting, and reassembling, these works consider how the past and remembered experiences affect the present. Through these works, I propose that the hauntings found in the printed image—print variations and traces of process—parallel the hauntings of memory. While presenting a provisional record of memory, I ask, when do loops of re-printing, re-contextualizing, re-collaging slip into nostalgia? When do built worlds begin to resemble ruins?