The co-option of copyright: an evolution of copyright paradigms and the forces impacting Canadian policy in the digital era

dc.contributor.authorDufault, Russell D.
dc.contributor.examiningcommitteePozios, John (Faculty of Law) Geist, Michael A. (University of Ottawa)en_US
dc.contributor.supervisorSchwartz, Bryan P. (Faculty of Law)en_US
dc.date.accessioned2012-08-24T14:14:31Z
dc.date.available2012-08-24T14:14:31Z
dc.date.issued2012-08-24
dc.degree.disciplineLawen_US
dc.degree.levelMaster of Laws (LL.M.)en_US
dc.description.abstractCopyright shares a philosophical foundation with traditional property rights and ownership paradigms. Despite the dichotomies between tangible and intangible property, right-holders have gained support for, and control of, overarching monopoly protections using rhetoric based on their co-option of theoretical models. Control has engendered artificial scarcity of cultural products, and the emergence of new content delivery platforms have sustainedly challenged the control model. A global shift towards copyright policy uniformity has resulted in a universally skewed framework that is in need of attention. It is suggested that to achieve optimality within copyright’s parameters, a balancing of all stakeholder interests is crucial. While this view has been recognized by the Supreme Court of Canada, persistent challenges to a copyright framework constructed upon balance and inclusivity continue to arise. This includes Parliament’s ongoing struggle to balance the public interest and creators’ rights while aligning Canada’s copyright law with emerging international norms.en_US
dc.description.noteOctober 2012en_US
dc.identifier.urihttp://hdl.handle.net/1993/8470
dc.language.isoengen_US
dc.rightsopen accessen_US
dc.subjectcopyrighten_US
dc.subjectlawen_US
dc.titleThe co-option of copyright: an evolution of copyright paradigms and the forces impacting Canadian policy in the digital eraen_US
dc.typemaster thesisen_US
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