Anarchy in the punkive: collecting the stories of punk women and creating a local punk music scene archive.
dc.contributor.author | Humphrey, Sharon E. | |
dc.contributor.examiningcommittee | Kuffert, Len (History) | |
dc.contributor.examiningcommittee | Froman, Karen (University of Winnipeg) | |
dc.contributor.examiningcommittee | Lougheed, Brett (University of Winnipeg) | |
dc.contributor.supervisor | Bak, Greg | |
dc.date.accessioned | 2025-01-06T19:05:53Z | |
dc.date.available | 2025-01-06T19:05:53Z | |
dc.date.issued | 2025-01-01 | |
dc.date.submitted | 2025-01-01T21:52:32Z | en_US |
dc.date.submitted | 2025-01-03T20:34:49Z | en_US |
dc.degree.discipline | History | |
dc.degree.level | Master of Arts (M.A.) | |
dc.description.abstract | This thesis explores how the physical records that local music scenes created and hold onto create a historical footprint for music scenes and how these sometimes-unconventional records are legitimate archival records that represent a community’s history. Using the Winnipeg local punk scene during the late 1970s to 1985, this project hopes to portray a vibrant glimpse of a musical community that took part in carving punk rock history in Canada. Looking specifically at the voices of members who participated in the first two all-female bands in Winnipeg using interviews and oral histories, this work captures personal experiences of aspects of being in a band during this time and being a part of the punk community in this city. Each chapter examines the Winnipeg scene specifically, what sort of records this community collects, and how their personal archives contribute to the larger historical location of music history. It then discusses the importance of community archives and how an archive can be recreated through mediation of community members and a archival repository. Finally, this thesis also provides an example of how this material can be incorporated into an exhibit using a local gallery as a template. | |
dc.description.note | February 2025 | |
dc.identifier.uri | http://hdl.handle.net/1993/38752 | |
dc.language.iso | eng | |
dc.rights | open access | en_US |
dc.subject | Ruggedy Annes | |
dc.subject | Wurst | |
dc.subject | Music | |
dc.subject | Punk | |
dc.subject | Local History | |
dc.subject | Archives | |
dc.subject | History | |
dc.subject | Music Scene | |
dc.title | Anarchy in the punkive: collecting the stories of punk women and creating a local punk music scene archive. | |
dc.type | master thesis | en_US |
local.subject.manitoba | yes | |
oaire.awardTitle | Elizabeth Alloway History Scholarship | |
project.funder.identifier | http://dx.doi.org/10.13039/100014509 | |
project.funder.name | The Winnipeg Foundation |