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"The little twist of sound could have the whole of her:" silence, repetition, and musicality in Virginia Woolf's "Between the Acts" and Gertrude Stein's "The Mother of Us All"

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dc.contributor.supervisor Libin, Mark (English, Film and Theatre) en
dc.contributor.author Brickey, Alyson
dc.date.accessioned 2010-09-08T14:32:53Z
dc.date.available 2010-09-08T14:32:53Z
dc.date.issued 2010-09-08T14:32:53Z
dc.identifier.uri http://hdl.handle.net/1993/4100
dc.description.abstract This thesis tracks an alternative trajectory for thinking about the way in which modernist texts incorporate silence as an aesthetic and a theme, one that departs from those currently favoured by contemporary modernist criticism. Particularly, I wish to move away from the prevailing approach to Virginia Woolf's texts that borders on biographical criticism, an approach that theorizes silence as indicative of the author's trauma, pointing to that which is 'unsayable' as evidence of some psychically unassimilable event. Instead, I argue that by experimenting with an aesthetics of silence, repetition, and musicality, Woolf is participating in a wider cultural debate. With Between the Acts, I believe she seeks to incorporate sound to such a degree that the novel becomes a listenable art piece, requiring a reconceptualization of reading as not only a visual act, but an aural one as well. en
dc.format.extent 645188 bytes
dc.format.mimetype application/pdf
dc.language.iso en_US
dc.rights info:eu-repo/semantics/openAccess
dc.subject literature en
dc.subject modernism en
dc.title "The little twist of sound could have the whole of her:" silence, repetition, and musicality in Virginia Woolf's "Between the Acts" and Gertrude Stein's "The Mother of Us All" en
dc.type info:eu-repo/semantics/masterThesis
dc.degree.discipline English, Film, and Theatre en
dc.contributor.examiningcommittee Medoro, Dana (English, Film and Theatre) McCance, Dawne (Religion) en
dc.degree.level Master of Arts (M.A.) en
dc.description.note October 2010 en


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