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This text explains my search for the grotesque beauty of disposable materials, especially electronic objects, addresses the relationship between electronic objects and humans, and propounds human impacts on issues such as biodiversity, climate, and biogeography. Through looking at historical movements such as surrealism and post-war artists such as Judy Pfaff, and Eva Hesse, I explore connections between subjective and objective concepts to give an impression of the real world. Audience interactivity is explored, in addition to formal aspects of my practice. The latter includes monochromatic applications of colour, pattern and symmetry as visual devices.