mei, jiacheng2025-08-062025-08-062025-07-182025-07-182025-08-05http://hdl.handle.net/1993/39200My work focuses on issues of sensibility, challenging the conceptual boundaries and ideologies of everyday society through conceptual play and embodied perception, arousing the possibility of self and broader audience engagement in the Everyday Life Revolution. In both capitalist and authoritarian societies, these institutional structures establish systems of discipline and control, eliminating spaces for conceptual reflection to maintain their own reproduction. They inevitably stand in opposition to everyday revolutions and conceptual play. The capacity for sensibility and creativity, however, serves as a challenge to this everyday society and its internal control systems. By regulating perception and common sense, contemporary society profoundly shapes our modes of behavior and intellectual faculties, resulting in a pervasive crisis of perceptual disorientation across all fields. My studio practice challenges everyday concepts and structured patterns of perception, continuously engaging in dialogue with art history and reflects and challenges various rules and ideological backgrounds that seem tacitly accepted. Through a plethora of performance art, installations, and experimental imagery, I aim to demonstrate everyday life practices , continually questioning the boundaries of everyday concepts and possibilities, through Diversion (Détournement) and Drifting (Dérive), questioning habitual emotions, time, space, and belief rituals. This is a highly subjective, artistic everyday life revolution that arouses sensibility, addressing the widespread disablement and proletarianization of perception in late capitalism.engEveryday Life Revolutionconceptual playDétournementConceptual Artperformance arteveryday life practicesEveryday life revolution: from technologized perception to perception skills